This is the time when I need to start seriously focussing on Carolan for the upcoming Festival. And then the month after that the Carolan session at Somerset which was my big fat idea, so I feel like I should be psyched and involved. (You might want to check the Vermont event out, Pam - Just put in Carolan Festival - Vermont 2013 and it should pop up, probably a 2-3 hour drive for you, not too bad) where I've taught a few times. This year I've been asked to help with the sessions at the festival, which means it is time to practice Carolan....... they come back quickly, but they fall out quickly too and I'd like to add a couple of new ones if I can. I really like Hugh O'Donnell, I must say.
General goals will be to go over my Carolan list. It is divided into the tunes that are really very solid but need to be 'brought up', tunes that I've never quite quite quite gotten to where I want them, tunes that are a mess, and one or two I am determined to add to the soup. Other than that, I will be learning my Clare tunes mostly - this week will be Patsy Geary's and The Battering Ram..... both jigs.
Week One May 1-4 (short week).... buffed Kean O'Hara which Grainne taught ages ago - Most people seem to just play that first bit once and then move on - for some reason I got into the habit of playing those first four.... or so.... measures twice. There is also a place where I don't count quite right. I'll have to give it a good listen and maybe peek in the book. I started the O'Donnell, but can't find anyone playing it really nicely on youtube though, too bad. I'll have to poke around.
Week Two May 5-12 Oh yes, I think this set up is much much better!!!! Less stressful. Well you will have a fit Andee, if I remember correctly - last night we went down to Barre VT to see MARTIN HAYES and he was, of course, sublime. Been awhile since I saw him in concert and Knox hadn't seen him ever and was blown away. (Have I told you Knox has taken up the Small Pipes??? He is coming along slow but steady - doesn't practice enough). We're all fired up to tackle The Castle and The Nightingale.
On the harp I'm making steady progress through the Carolan tunes I know and are in the booklet that the Carolan Festival folks use (really just reprints of the tunes that have been taught/played a lot at the event). Anything I sort of know I'm trying to improve so I can at least play it on the concertina and there are a couple of others, the above mentioned O'Donnell and also the oh so lovely Lord Inchiquin! I'd like to add those, one way or another, to the repertoire. Along with Madame Maxwell and and and and
I have no idea what I was going to say there...... but I'll just leave it as is. Tonight is Clare class - Patsy Geary's (jig) and The Battering Ram which I have finally learned.... so I won't have to sort of fake it as sessions anymore...... or just sit there like a dummy. I had the middle section but not the 1st and 3rd both with little tricksinesses. It's the 10th now and I'm working on our next set, reels this week, The Ewe Reel (also known as The Green Blanket) and the Bell Harbour Reel. The Ewe Reel is a bit of a stinker with a lot of back and forth of f naturals and sharps. I can't really imagine tackling it on the Harp. Bell Harbour maybe.
Week Three already! I'm inching along with Inchiquin and also reviving Festus Burke - I've never really gotten the B section (or is it C - that's another issue) up to speed- most of it is easy, just one little bit, of course. Otherwise I'm working mostly on the stuff for class, see above. I meant to go to the Montpelier session yesterday but one thing and another intervened and then it was too late - if I go I like getting there a wee bit early for a good seat. Thursday already!!!!! Class was good, survived the two reels credibly, on to the last three tunes of the season - 'the growlers' apparently they are called - Rolling the the Barrel, something or other, and the Earl's Chair...... I've sort of half learned the last and have certainly heard the other two plenty of times. I'll plug in the name of tune two after I remember what it is. I'm on a short writing retreat and I brought the harp as well as the c'tina and since I am by myself I should have some time to keep working on Lord Inchiquin and O'Donnell, which are newer ones. I'm experimenting in just playing a single note as accompaniment to work on flexibility in playing different chords - single note, then open fifths, then octaves, tenths etc. fit in here and there but trying to loosen up. I tend to learn a tune JUST ONE WAY and never play it another way comfortably. Want to see if I can get anywhere by doing something like this.
Week Four Hm. things are pretty much the same - I'm on a writing retreat and so am alone, and when I need a break I play music or take a walk or do some chore that needs doing. I sort of have learned the last Clare tunes for the last class on Tuesday (see above) and for some reason then I got obsessed with a set of tunes that Billy and Grainne taught back to back at one workshop - Johnny Will you Marry Me and The Braes of Mar - the Scottish one is the original tune. It's fascinating to go from one to the other.
I should post a pic of the wisteria on the porch where I am, it is incredible - the hum of bees is constant all day.
...... A few days have gone by..... last Clare class was last night. No music yet today, but our monthly session is tomorrow night, so I hope (now) to practice a few tunes I'm likely to want to play or that will be played..... and probably a little bit of Carolan. I keep worrying the same few tunes, so I'm going to try to move on. One issue I have is with Carolan's Quarrel - Grainne taught it at a workshop and I subsequently have spent wayyyyy too much time playing it exactly as she taught it which has proved impossible to get right. I've been wanting to take it apart and simplify an accompaniment that won't tangle me up hopelessly..... I love her rendering but ultimately adhering to it rigidly just isn't going to work.
.....Confession - I've become obsessed with putting together a Master List of all the tunes I've learned in the last three years in this class with Hilari and Benedict - it's over 100 tunes! Incredible. The idea is to put just enough letter notation by each tune name to help bring it back to mind. I'm going to organize them a couple of different ways, by class and by type. I have to test each one, to get the letters right, and I use the harp to do that, so I guess that is a form of playing...... I have learned a few of these on the harp. When I finish I'll attach it.
Week Five The Clare class is ended, so now it is time to focus EXCLUSIVELY on Carolan tunes for the festival on the 15th. The problem is not getting overwhelmed and darting about from one tune to the next. Oh help!
Can you move my May post over here?
ReplyDeleteAnd I want to hear that story!
I see that you managed it?????
ReplyDeleteWell, the second year I worked very hard on a tune, Madge Malone, I think and had a paper copy with the notation and ABC but said I would like to first see how far we could get by ear..... YOU WOULD NOT BELIEVE. One woman cried, a mother yelled at me while her daughter sulked..... and the rest of them whined and when we took a break they all left. No one came back. I swear I was being kind but firm. It was seriously unbelievable. I was, frankly, bewildered by their intensity and total refusal to even try. I wasn't asked to teach again, so I suppose they all complained. Live and learn. Another time I would give them the music and say, here, you don't need me. And I would leave!
Wow, just wow! I suppose if you ever do anything like that again you could say beforehand it's specifically a workshop for learning by ear, sheet music will be given at the end of the day. But maybe you did??
ReplyDeleteWhen I did my week long course with Janet Harbison, (she really *hates* giving out sheet music at all) she promised us sheet music by the end of the *week*. It never materialized. Thank goodness I had everything on tape (of course). I really learned a lot that week.
I know a Patsy Geary's but it's a slide. Used to play the Battering Ram on the fiddle...
ReplyDeleteIt was very clearly marked in the 'workshop list' that it was a class by ear, music handed out at the end. I was careful to do that.
ReplyDeleteYeah - both of these are for the concertina, not harp.
Well triple Wow, then!!
ReplyDeleteAs somebody who, in her forties, soldiered through the painful process of learning to learn by ear, I feel sympathetic but also determined to press feet to the fire, to get through it. My 'musicality' improved by leaps and bounds and is still improving and I wish I'd learned earlier to free myself of the tyranny of paper. Reading music is a very useful skill and important, but, I suspect, crippling in certain ways - especially for what I would call the 'averagely gifted' musician - capable etc. but without that innate sense of how things are structured musically which some folks really do have. That's the piece which has improved for me.
ReplyDeleteThe woman who cried was the hardest to deal with - was she just afraid to try or truly incapable???? I'm inclined to think anyone who has some musical ability can do it.
ReplyDeleteI totally agree with you.
ReplyDeleteWe just saw Martin and Dennis for my birthday a few weeks ago! Yay Knox! Small pipes--not uillean pipes?
ReplyDeletehi girls, i wont be blogging much as i wont be playing much harp. i fell down a flight of concrete stairs at a baseball game. (shoe malfunction)haha....anyway i have a possible 6 broken bones in my feet and left hand...3 of them are in my left hand. funny how a moment in time can change so much. please excuse my lazy typing as i am forging through with one hand. i can and will still play as much as i can with my right hand..keep posting and keep playing...
ReplyDeleteOh no!!!!!! I was wondering how you've been doing! So so sorry, I do hope you heal up very quickly.
ReplyDeleteOh Laura! But all the more reason, when you start rehab to come here to record your progress so we can encourage you. And in the meantime we would like to hear, however briefly, from time to time, how playing w right hand only is going, thank heavens it is the melody hand. A great opportunity to work on Carolan????? Slow airs?????? The left hand really isn't necessary anyway, not really.
ReplyDeleteYep Scottish small pipes. A lot of folks start there, it turns out.
ReplyDeleteOoo a writing retreat with your harp and concertina, too--how lovely! I am pretty much the same with tunes, but have a few with a few variations. This is something I need to work on for the fleadh next year as I know I should be able to play a tune differently the second time around.
ReplyDeleteDoes your writing retreat mean you can escape from Real Life for a bit? I think a retreat and a bottle of wine would be heaven!
ReplyDeleteWell - I call it a retreat and it is a retreat, but I'm working most of the time (I write)- the idea is I get to work undisturbed by RL.......sometimes I get really really into it and work myself into a daze. This time has been up and down. No wine, but I admit that I do snort some single malt at the end of the day, sometimes.
ReplyDeleteI'll report up above how it has all been going as part of Week 4.....
I try to keep RL at bay but it does intrude.
It has taken me forever Andee, to loosen up a little, but I think, at last I am beginning to get it a little bit.
ReplyDeleteWhat do you all think of the monthly arrangement? I think it's less pressured and, so far, still effective, perhaps even more so, for keeping track of what I'm actually practicing.....
ReplyDeleteYeah, really works for me as well! This writing retreat--were you with a group or just on your own? Just curious.
ReplyDeleteOh, by myself. I just call it a retreat to call it something and make it official-sounding (to myself, that is!).
ReplyDelete